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    Sunday, January 5, 2014

    Traditional Japanese Ghost Story: Okiku The Japanese love telling ghost stories. One very popular tale that has been told since the 12th century is “The Story of Okiku.” This story involves a traditional Japanese ghost called a “yuurel.” Like many ghost stories that have been told from one generation to the next there are several versions of Okiku’s story. This story is connected to Japanese religious beliefs. The Shinto belief is that all people have a soul, which is called a “reikon.” When a person dies their reikon leaves their body and joins the souls of their ancestors. The Japanese though believe there is an exception to this, if a person dies suddenly because they were murdered, killed in battle, or they commit suicide-- then often their bodies are not given a proper burial. These misplaced souls sometimes become revengeful ghosts called “yuurels.” Yuurel in Japanese means—soul of the dead. Many yuurels are females who in life suffered greatly. Causes for this suffering might be love, jealousy, sorrow or regret. These ghosts normally appear wearing the traditional Japanese white kimono known as a Katabira. For centuries these kimonos were used to bury women in. Two more defining characteristics of the yuurel ghost is they have no legs and they are seen between the hours of 2 a.m. and 3 a.m. In this tradition there are not many male yuurels. One of the most famous yuurel ghosts appears in the folk story, Bancho Sarayashiki—The Story of Okiku. As stated above this story has several versions. In essence, the story is about a young maid named Okiku who works for a family whose master Tessan Aoyama is a samurai. One day while cleaning the families’ ten precious ceramic plates, she accidentally breaks one of them. The outraged Aoyama kills her and throws her body into a well. Every night after this Okiku’s ghost rises from the well, slowly she is heard counting out nine plates and then she breaks into heartbreaking sobs over and over again. This torments Aoyama who goes insane in the end. So Okiku gets her revenge. Most versions of this story have Okiku counting from one to nine and then she breaks out in heart-rending wails and sobs. They also state she was thrown in a well after being killed. She is always portrayed as the innocent victim of an unreasonable master. One variation of the story mentions Aoyama actually wants to seduce Okiku, when she refuses his advances he hides one of the ten Dutch plates and states he will accuse her of stealing it if she does not become his mistress. In desperation she throws herself into the well. Yet another version states the samurai’s wife actually breaks the plate throws it in the well to hide her deed and tells her husband Okiku stole it, then he kills her. One alternate ending to this story has Aoyama paying a family friend to hide in the well and wait for Okiku to appear. As she counts one to nine he finishes for her by shouting out loudly “ten.” This finally stops the sobbing and allows Okiku to rest. The Japanese state that the well that Okiku was thrown into after she was killed still exists. The most common location cited is at Hineji Castle also known as the White Egret Castle. This castle located west of Kobe has kept its original form for nearly 400 years. It is considered Japan’s finest castle. In Japan’s recent devastating earthquake and tsumami it was not impacted. It is closed though until 2015 for renovations. Another area cited for being the possible location of Okiku’s well is at the Canadian embassy in Tokyo that was established on land bought from the Aoyama family.

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